It is virtually impossible to run contemporary apparel lines without using the influences of African textiles. The prints that have emerged from the looms of the village artisans for centuries on the African continent has helped shape western design in color theories, composition and direction for as long as there has been fashion. Rachel Roy had a most interesting take on color blocking (above) by using a batik as a textural background to add a sense of complexity to the garment. (Below) Anisa Mapungwe of South Africa, achieves this same feeling by engineering a retro stripe coloration for an international feeling of cultural diversity.
It is virtually impossible to run contemporary apparel lines without using the influences of African textiles. The prints that have emerged from the looms of the village artisans for centuries on the African continent has helped shape western design in color theories, composition and direction for as long as there has been fashion. Rachel Roy had a most interesting take on color blocking (above) by using a batik as a textural background to add a sense of complexity to the garment. (Below) Anisa Mapungwe of South Africa, achieves this same feeling by engineering a retro stripe coloration for an international feeling of cultural diversity.
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